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勃拉姆斯:第四交響曲&雙協奏曲/瓦格納:帕西法爾前奏曲 (Brahms: Symphony No. 4 & Double Concerto / Wagner: Prelude to Parsifal)
勃拉姆斯:第四交響曲&雙協奏曲/瓦格納:帕西法爾前奏曲 (Brahms: Symphony No. 4 & Double Concerto / Wagner: Prelude to Parsifal)
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勃拉姆斯:第四交響曲&雙協奏曲/瓦格納:帕西法爾前奏曲

Brahms: Symphony No. 4 & Double Concerto / Wagner: Prelude to Parsifal




內容簡介
The Concerto in A minor for Violin and Cello, Op. 102 is the last purely orchestral composition by Brahms; it was written in 1887, ten years before his death. Although the work remains the least played of Brahms’s four concertos, it is, through its prodigious power, its signature Brahmsian melodies and its sublime phrasing, one of his greatest achievements. Compositions for this combination of solo instruments are few and far between, but Brahms succeeds in integrating them into a concerto that showcases the tonal beauties of each. In the Allegro movement, the soloists engage in a dialogue: with each other, individually with the orchestra, or as a group with the orchestra. The Andante movement, meanwhile, in ternary form, is imbued with the most ardent lyricism and Brahms’s grandest melodies. In his biography of the composer, Walter Niemann describes this movement as “a great ballade, steeped in the rich and mysterious tone of a northern evening atmosphere.” The final movement is a rondo whose main theme is Hungarian-inspired; and a brilliant coda takes the concerto to its conclusion in the glorious key of A major.
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